O R I E L  M A R T I N  T I N N E Y  G A L L E R Y


William Wilkins C.B.E.


 

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William Wilkins was born in 1938. On his mother’s side, he is descended from the doctors of Myddfai of Welsh legend. He is the great-grandson of the architect of the National Gallery in London. Brought up in Carmarthenshire and Pembrokeshire, he trained at Swansea College of Art and the Royal College of Art, London.

 

Throughout the 1970’s and 1980’s he had a series of sensationally successful exhibitions in leading New York and London galleries. At that time Hilton Kramer, the New York Times art critic, wrote under the headline ‘British Artist Dazzles’ - “There is something both very modest and very courageous in Mr. Wilkins’ art. And something very refreshing, too. Against all the empty-headed injunctions of modern ideology, he dared to be himself, to go his own way. Bravo!”

 

William Wilkins is a pointilliste, building up an image from a series of tiny dots of paint, in the style of Seurat. This is a painstakingly slow process, and necessarily means very few paintings are produced.  William is also the  founder chairman of the Welsh Historic Gardens Trust, Project Director of Middleton National Botanic Garden of Wales, Former Director of the Aberglasney Restoration Trust, and Chairman of the Artes Mundi Prize, therefore he does not get as much time to paint as he would like.

 


 

Yn ôl

Ganwyd William Wilkins ym 1938. Olynai o ochr teulu ei fam o feddygon Myddfai yr oesoedd canol. William yw gorwyr pensaer yr Oriel Genedlaethol yn Llundain. Wedi’i fagu yn Sir Gaerfyrddin a Sir Benfro, addysgwyd yng ngholeg celf Abertawe ac yn y Coleg Brenhinol, Llundain.

Trwy’r 1970au a’r 1980au cafodd gyfres o arddangosfeydd llwyddiannus iawn yn orielau blaenaf Efrog Newydd a Llundain. Ysgrifennwyd amdano gan Hilton Kramer, critic celf y New York Times, o dan y penawd ‘British Artist Dazzles’ - “There is something both very modest and very courageous in Mr. Wilkins’ art. And something very refreshing, too. Against all the empty-headed injunctions of modern ideology, he dared to be himself, to go his own way. Bravo!

Piontilliste yw William, adeilada’r ddelwedd drwy gyfresi o ddotiau bychan o baint, yn arddull Seurat. Araf iawn yw’r broses hon ac, o’r herwydd, golyga hyn taw ond nifer fach o weithiau a gynhyrchir, ac mae arddangosfeydd undyn yn brin.

Ni chai William gymaint o amser ag yr hoffai i beintio, oherwydd ei gyfrifoldebau eraill, gan gynnwys cadeirydd y ‘Welsh Historic Gardens Trust’, cyfarwyddwr gerddi Botanegol Cymru, cyn-gyfarwyddwr yr ‘Aberglasney Restoration Trust‘ a cadeirydd gwobr yr Artes Mundi.

 

Solo Exhibitions

2008       Martin Tinney Gallery, Cardiff

2007       Buildings and Landscapes, National Botanic Garden of Wales

2006       Piccadilly Gallery, London

2004       Martin Tinney Gallery, Cardiff

2000       Martin Tinney Gallery, Cardiff

1994       Maxwell Davidson Gallery, New York

1991       Piccadilly Gallery, London

1989       Glynn Vivian Gallery, Swansea

1988       Albemarle Gallery, London

1987       John Berggruen Gallery, San Francisco

1986       Helander Gallery, Palm Beach, Florida

1985       Barbara Mathes Gallery, New York

1984       Barbara Mathes Gallery, New York

1983       12 Duke Street Gallery, London

1981       Robert Schoelkopf Gallery, New York

1979       Robert Schoelkopf Gallery, New York

1977       Robert Schoelkopf Gallery, New York

1975       Langton Gallery, London

1975       University College, Swansea

1973       British Institute, Warsaw

1972       Covent Garden Gallery, London

1972       Welsh Arts Council, Cardiff

1971       University College, Cardiff

1970       University College of Wales, Aberystwyth

 

Selected Group Exhibitions

2004          Artes Cambria, Martin Tinney Gallery        

1996/07     Martin Tinney Gallery, Cardiff

1987/88     ‘The Self-Portrait: A Modern View’, Artsite, Bath and touring.

1987          Gruenebaum Gallery, New York

1986          Payne Gallery, Moravian College, Bethlehem, Pennsylvania, ‘Intimate

                 and Intense - The New Genre of Painting’

1985          Leinster Gallery, London, Critics Choice

1985          Andrew Knight Gallery, Cardiff, ‘Painting in Wales: 1850 - 1980’

1976          Welsh Arts Council, Cardiff, ‘The Probity of Art’

1976          Allan Stone Gallery, New York

1975          Elected member of 56 Group Wales - exhibitions in England, Scotland,

                 Wales, Ireland, France, Italy and Czechoslovakia

1974          Agnews, London

1974          Roland, Browse & Delbanco

1973          Covent Garden Gallery, London

 

Awards

1971       Welsh Arts Council Bursary

1978       Welsh Arts Council Grant

1980       First International Artist in Residence, Artists for the Environment Foundation,

              Delaware Water Gap National Park, New Jersey

1980       Ingram Merrill Foundation Grant

1993       Royal Cambrian Academician

1993       Honorary Research Associate, St. David’s University College, Lampeter

2001       Honorary Fellow, Royal Institute of British Architects

2001       Honorary Fellow, Trinity College, Carmarthen

2002       Honorary Fellow, Swansea Institute of Higher Education

2003       Chancellor’s Medal, Glamorgan University

2003       Honorary Fellow, University of Wales Institute Cardiff

2003       Awarded C.B.E.

2007       Honorary Fellow, Cardiff University

 

Selected Bibliography

A.G. Rhys:                                ‘Tynnu at a golau’, Barn, August 1996

William Wilkins:                         ‘The True Expression of the Subject’, Art and Design, June 1988

Marina Vaizey:                           Critics Choice, Sunday Times 31.1.88

Charles Jencks:                         ‘Post Modernism’, Academy Editions, 1988

Sean Kelly/Edward Lucie-Smith:  ‘The Self Portrait A Modern View’ Sarema Press 1987

Charles Jencks :                         ‘The Classical Sensibility’ Art and Design, August 1987

Rosalind Roberts :                      ‘Radiating the Otherness’ Status, April 1987

John Russell Taylor:                    The Times, 24.5.83

Eric Rowan:                               ‘Painting in Wales 1850-1980’ University of Wales Press

Hilton Kramer:                            New York Times, 9.10.81

Elizabeth Dipple:                        ‘The Work of William Wilkins’, Robert Schoelkopf Gallery 1981

Hilton Kramer:                            ‘The Work of William Wilkins - Miniaturist of Light’, New York Times, 19.10.79

Gerrit Henry:                              Art News, January 1978

Hilton Kramer:                            ‘New British Painter Dazzles’, The New York Times 28.10.77

 

Public Collections

National Museum of Wales

Hirshhorn Museum and Sculpture Garden, Washington DC

Welsh Arts Council, Cardiff

University College of Wales Aberystwyth

University College Swansea

Contemporary Arts Society of Wales

Private collections worldwide

 

 


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